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Ed Webb

Arab autocrats use anti-IS Web war to stifle dissent: Report | Middle East Eye - 0 views

  • the region’s authoritarian leaders are using the threat of IS propaganda as a pretext to clamp down on online critics
  • “A spate of new anti-terrorism laws around the region have overly broad definitions of terrorism that fail to distinguish between speech that incites violence or promotes extremism and the type of free speech posted by online journalists and human rights activists.”
  • According to the Brookings Institution, a US-based think tank, IS and its supporters ran some 46,000 Twitter accounts last year
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  • “In the UAE, publicly declaring one’s animosity or lack of allegiance to the regime falls under the country’s broad definition of terrorism. Whereas in Saudi Arabia, the same applies to calling for atheist thought.”
  • Globally, internet freedom declined around the world for the fifth year running in 2015, with some governments changing tactics as Web users got better at by-passing state-run controls
  • More than 61 percent of Web users live in countries where criticising the government, military or ruling family is censored online, the report said. Another 58 per cent live in countries where people can be jailed for sharing political, social or religious content online
Ed Webb

Exporting Jihad - The New Yorker - 0 views

  • A friend of Mohamed’s, an unemployed telecommunications engineer named Nabil Selliti, left Douar Hicher to fight in Syria. Oussama Romdhani, who edits the Arab Weekly in Tunis, told me that in the Arab world the most likely radicals are people in technical or scientific fields who lack the kind of humanities education that fosters critical thought. Before Selliti left, Mohamed asked him why he was going off to fight. Selliti replied, “I can’t build anything in this country. But the Islamic State gives us the chance to create, to build bombs, to use technology.” In July, 2013, Selliti blew himself up in a suicide bombing in Iraq.
  • Tourism, one of Tunisia’s major industries, dropped by nearly fifty per cent after June 26th last year, when, on a beach near the resort town of Sousse, a twenty-three-year-old student and break-dancing enthusiast pulled an automatic weapon out of his umbrella and began shooting foreigners; he spared Tunisian workers, who tried to stop him. The terrorist, who had trained at an Islamic State camp in Libya, killed thirty-eight people, thirty of them British tourists, before being shot dead by police.
  • “The youth are lost,” Kamal told me. “There’s no justice.” Douar Hicher, he said, “is the key to Tunisia.” He continued, “If you want to stop terrorism, then bring good schools, bring transportation—because the roads are terrible—and bring jobs for young people, so that Douar Hicher becomes like the parts of Tunisia where you Westerners come to have fun.”
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  • he condemned the Sousse massacre and a terrorist attack in March, 2015, at Tunisia’s national museum, the Bardo, where three gunmen killed two dozen people. The victims were innocents, he said. Kamal still entertained a fantasy of joining a reformed police force. His knowledge of Islam was crude, and his allegiance to isis seemed confused and provisional—an expression of rage, not of ideology. But in Douar Hicher anger was often enough to send young people off to fight
  • “Maybe it’s the Tunisian nature—we like risk,” a former jihadi told me. A million Tunisians live and work in Europe. “A lot of drug dealers are Tunisian; many smugglers of goods between Turkey and Greece are Tunisian; a lot of human traffickers in Belgrade are Tunisian. Online hackers—be careful of the Tunisians, there’s a whole network of them.”
  • “The radical narrative tells you that whatever you’ve learned about Islam is wrong, you have to discard it—we have the new stuff. The old, traditional, moderate Islam doesn’t offer you the adventure of the isis narrative. It doesn’t offer you the temptation to enjoy, maybe, your inner savagery. isis offers a false heaven for sick minds.”
  • Democracy didn’t turn Tunisian youths into jihadis, but it gave them the freedom to act on their unhappiness. By raising and then frustrating expectations, the revolution created conditions for radicalization to thrive. New liberties clashed with the old habits of a police state—young Tunisians were suddenly permitted to join civic and political groups, but the cops harassed them for expressing dissent. Educated Tunisians are twice as likely to be unemployed as uneducated ones, because the economy creates so few professional jobs. A third of recent college graduates can’t find work. Frustration led young people to take to the streets in 2011; a similar desperate impulse is now driving other young people toward jihad.
  • the factors that drive young men and women to adopt Salafi jihadism are diverse and hard to parse: militants reach an overwhelmingly reductive idea by complex and twisted paths. A son of Riyadh grows up hearing Salafi preaching in a state-sanctioned mosque and goes to Syria with the financial aid of a Saudi businessman. A young Sunni in Falluja joins his neighbors in fighting American occupation and “Persian”—Shiite—domination. A Muslim teen-ager in a Paris banlieue finds an antidote to her sense of exclusion and spiritual emptiness in a jihadi online community. Part of the success of isis consists in its ability to attract a wide array of people and make them all look, sound, and think alike.
  • Souli wasn’t sure what should be done with returned jihadis, but, like nearly everyone I met, he spoke of the need for a program of rehabilitation for those who come back. No such program exists
  • In its eagerness to modernize, the Ben Ali regime encouraged widespread access to satellite television and the Internet. The sermons of Islamist firebrands from the Gulf, such as the Egyptian-born cleric Yusuf al-Qaradawi, entered the homes of Tunisians who felt smothered by official secularism. Oussama Romdhani, who was a senior official under Ben Ali—he was referred to as the “propaganda minister”—told me, “Radicals were able to use these tools of communication to recruit and disseminate the narrative, and they did it quite efficiently.”
  • Around 2000, the Tunisian Combat Group, an Al Qaeda affiliate, emerged in Afghanistan, dedicating itself to the overthrow of the Tunisian government. One of its founders, Tarek Maaroufi, provided false passports to two Tunisians who, allegedly on instructions from Osama bin Laden, travelled to northern Afghanistan posing as television journalists and assassinated Ahmed Shah Massoud, the Afghan mujahideen commander, on September 9, 2001. The Combat Group’s other leader, known as Abu Iyadh al-Tunisi, was an Al Qaeda commander; when the Americans overthrew the Taliban, in late 2001, he escaped from Tora Bora with bin Laden, only to be arrested in Turkey, in 2003, and extradited to Tunisia. (Sentenced to forty-three years in prison, he seized the chance to radicalize his fellow-prisoners.)
  • Why can’t the police do their job and stop the terrorists but let the smugglers go with a bribe?
  • revolution opened up a space that Salafis rushed to fill. There were a lot more of them than anyone had realized—eventually, tens of thousands. In February, 2011, Tunisia’s interim government declared an amnesty and freed thousands of prisoners, including many jihadis. Among them was Abu Iyadh al-Tunisi, the co-founder of the Tunisian Combat Group. Within two months, he had started Ansar al-Sharia.
  • Walid was vague about his reasons for returning to Tunisia. He mentioned a traumatic incident in which he had seen scores of comrades mowed down by regime soldiers outside Aleppo. He also pointed to the creation of the Islamic State in Iraq and Syria, in April, 2013, which soon engaged in bitter infighting with the Nusra Front. Walid spoke of Abu Bakr al-Baghdadi, the caliph of the Islamic State, with the personal hatred that Trotskyists once expressed for Stalin. He accused isis of destroying the Syrian resistance and helping the Assad regime. He believed that isis was created by Western powers to undermine Al Qaeda and other true jihadi groups.
  • these aged men from the two Tunisias—Essebsi a haughty remnant of the Francophile élite, Ghannouchi the son of a devout farmer from the provinces—began a series of largely secret conversations, and set Tunisia on a new path. In January, 2014, Ennahdha voluntarily handed over the government to a regime of technocrats. Ghannouchi had put his party’s long-term interests ahead of immediate power. A peaceful compromise like this had never happened in the region. Both old men had to talk their followers back from the brink of confrontation, and some Ennahdha activists regarded Ghannouchi’s strategy as a betrayal.
  • To many Tunisians, Nidaa Tounes feels like the return of the old regime: some of the same politicians, the same business cronies, the same police practices. The Interior Ministry is a hideous seven-story concrete structure that squats in the middle of downtown Tunis, its roof bristling with antennas and satellite dishes, coils of barbed wire barring access from the street. The ministry employs eighty thousand people. There is much talk of reforming Tunisia’s security sector, with the help of Western money and training. (The U.S., seeing a glimmer of hope in a dark region, recently doubled its aid to Tunisia.) But the old habits of a police state persist—during my time in Tunis, I was watched at my hotel, and my interpreter was interrogated on the street.
  • The inhabitants of Kasserine, however neglected by the state, were passionate advocates for their own rights. They had played a central role in the overthrow of the dictatorship, staging some of the earliest protests after Bouazizi’s self-immolation. In every coffee shop, I was told, half the conversations were about politics. Although Kasserine is a recruiting area for jihadis, Tunisia’s wealthy areas are so remote that the town felt less alienated than Douar Hicher and Ben Gardane.
  • “You feel no interest from the post-revolutionary governments in us here. People feel that the coastal areas, with twenty per cent of the people, are still getting eighty per cent of the wealth. That brings a lot of psychological pressure, to feel that you’re left alone, that there’s no horizon, no hope.”
  • The old methods of surveillance are returning. In the center of Kasserine, I met an imam named Mahfoud Ben Deraa behind the counter of the hardware store he owns. He had just come back from afternoon prayers, but he was dressed like a man who sold paint. “I might get kicked out of the mosque, because last Friday’s sermon was something the government might not like,” the imam told me. He had preached that, since the government had closed mosques after terror attacks, “why, after an alcoholic killed two people, didn’t they close all the bars?” To some, this sounded like a call for Sharia, and after informers reported him to the police the governor’s office sent him a warning: “In the course of monitoring the religious activities and the religious institutions of the region, I hereby inform you that several violations have been reported.” The imam was ordered to open the mosque only during hours of prayer and to change the locks on the main doors to prevent unsupervised use. The warning seemed like overreach on the part of the state—the twitching of an old impulse from the Ben Ali years.
  • “I never thought I would repeat the same demands as five years ago. The old regime has robbed our dreams.”
  • According to the Tunisian Interior Ministry, a hundred thousand Tunisians—one per cent of the population—were arrested in the first half of 2015. Jihadi groups intend their atrocities to provoke an overreaction, and very few governments can resist falling into the trap.
  • New democracies in Latin America and Eastern Europe and Asia have had to struggle with fragile institutions, corruption, and social inequity. Tunisia has all this, plus terrorism and a failed state next door.
  • Ahmed told himself, “If I pray and ask for divine intervention, maybe things will get better.” Praying did not lead him to the moderate democratic Islam of Ennahdha. His thoughts turned more and more extreme, and he became a Salafi. He quit smoking marijuana and grew his beard long and adopted the ankle-length robe called a qamis. He un-friended all his female friends on Facebook, stopped listening to music, and thought about jihad. On Internet forums, he met jihadis who had been in Iraq and gave him suggestions for reading. Ahmed downloaded a book with instructions for making bombs. In the period of lax security under Ennahdha, he fell in with a radical mosque in Tunis. He was corresponding with so many friends who’d gone to Syria that Facebook deactivated his account. Some of them became leaders in the Islamic State, and they wrote of making thirty-five thousand dollars a year and having a gorgeous European wife or two. Ahmed couldn’t get a girlfriend or buy a pack of cigarettes.
  • “Dude, don’t go!” Walid said when they met on the street. “It’s just a trap for young people to die.” To Walid, Ahmed was exactly the type of young person isis exploited—naïve, lost, looking for the shortest path to Heaven. Al Qaeda had comparatively higher standards: some of its recruits had to fill out lengthy application forms in which they were asked to name their favorite Islamic scholars. Walid could answer such questions, but they would stump Ahmed and most other Tunisian jihadis.
  • “We need to reform our country and learn how to make it civilized,” he said. “In Tunisia, when you finish your pack of cigarettes, you’ll throw it on the ground. What we need is an intellectual revolution, a revolution of minds, and that will take not one, not two, but three generations.”
Ed Webb

Spoiler alert: Saudi television network bans Turkish soap operas | Middle East Eye - 0 views

  • A Saudi-owned television network has announced it will pull hugely popular Turkish dramas from its schedules, in what experts inside Turkey say is an attempt by Saudi Arabia's crown prince to pacify clerics already outraged by his push to modernise the kingdom.
  • the Arab world’s largest private broadcaster, MBC, was ordered to stop broadcasting often racy Turkish television shows. The MBC Group is Dubai-based and controlled by Saudi investors
  • growing tensions between Turkey and the Saudi Arabia-United Arab Emirates axis in the row over Qatar's support for, among other things, the Muslim Brotherhood
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  • there has been pressure for a long time now to block Turkish programmes that often take up prime time slots from both Lebanese and Egyptian producers and filmmakers
  • Before the recent - and most likely politically motivated if not sponsored - spate of Turkish Ottoman history-based dramas, Turkish television programming was still a major hit in the Arab world
  • To many Middle Eastern viewers, drawn-out Turkish soap operas combining love affairs, drama and mystery more than just being quality television productions represented hope that it was possible to harmoniously merge east and west without sacrificing local identity
  • depiction of a lifestyle choice that is not an option in the Gulf
  • “Producers and TV/film firms have their costs covered before they commence filming via the deals they make with domestic broadcasters,” he said.“Other than that Turkish television has never been more popular. It has a market in eastern Europe, Africa and even Latin America.”
  • “There are so many dimensions to this ban. Another one is that Bin Salman has also launched a big drive on restoring historical places in the kingdom. But with their own Saudi interpretation," Hayek said."And then you have these Turkish historical-based programmes being beamed into peoples’ homes who are very keen to learn about their past and heritage. They can’t be happy about that”.
Ed Webb

New push to spread e-learning to remote Arab villages - 0 views

  • The Mohammad Bin Rashid Al Maktoum Global Initiatives (MBRGI) signed an agreement with Emirates Red Crescent to spread the outreach of the Madrasa e-learning platform to children in remote villages and refugee camps across the Arab world.
  • the platform provides 5,000 free Arabised videos in general science, math, biology, chemistry and physics to students from kindergarten to grade 12
  • Emirates Red Crescent will distribute the offline solutions, ranging from Madrasa tablet, WiFi hotspot device, Madrasa flash memory (USB) and Madrasa Smart Bag, as part of its programmes and projects in areas it oversees and covers
Ed Webb

Why is the Egyptian state monopolizing the entertainment industry? | openDemocracy - 0 views

  • Egyptian television series that aired during the peak Ramadan season this year dramatically decreased by half from previous production volumes. Production restrictions and censorship in the most populous Arab country are on the rise, tough circumstances for the entertainment industry, exacerbated by a military-linked production company’s recent monopoly of soap operas. The move also raises concerns about whether a similar fate might be in the works for the film industry.
  • In late 2018, a memo circulated to industry professionals by state affiliate Egyptian Media Company (EMC) laid out a set of regulations making it virtually impossible for almost any production company asides from EMC sub arm Synergy Production to produce soap operas in the 2019 Ramadan season
  • “We have to understand why Synergy is gaining this much control…it’s also very clear that some series [this year] have an almost didactic direction, promoting particular ideas such as improving the image of police officers. Mandating which themes are to be discussed and which won’t be is not censorship, its indoctrination,” Aly Mourad, the CEO of Al Shorouk for Media Productions, tells Open Democracy. “I don’t think we’ve heard of this level of censorship since the time of [Former President] Nasser; it’s like we are going back 60 years in time.”
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  • “What I fear is that this pool of currently unemployed talent will switch careers, which will come at the longtime expense of the industry since these are trained professionals. I do not believe that the military [Synergy] sees this; they simply have one clear goal: to control the industry. The government has effectively, through the institutions it runs, carried out the first monopolization process in the history of neoliberalism.”
  • In June 2018, the authorities banned a film examining a love affair between a Muslim man and a Christian woman before it hit the cinemas, although director Khaled Youssef said he obtained the necessary licenses. The decision was later revoked, but was alarming to many given rising censorship levels
  • While over fifty shows typically aired during the peak Ramadan season, even during economically turbulent years as in 2017 and 2018, only twenty-four shows aired last Ramadan, and over two-thirds of them are produced by Synergy. Production powerhouses like El Adl Group and Beelink Productions were notably absent this season from their regular Ramadan run, while regionally acclaimed megastars like Yossra, Adel Imam and Laila Elwy uncharacteristically did not star in any shows during the peak season either, likely due to the dramatic, forced budget cuts which make casting an A-lister virtually impossible. Compensation levels for many of these lead faces could often be as high as EGP 50 million (~USD 3 million), the currently imposed budget cap for aggregate production costs of a Ramadan soap opera’s full season
  • “For a producer, the direct client of drama series is television channels, and several factors have negatively impacted their purchasing power. The GCC-owned channels are struggling in light of the economic difficulties there, primarily due to the war in Yemen, so the main overseas market for selling television series is not that great. Add to this that privately owned channels in Egypt were never highly profitable, and media budgets generally were slashed with Egypt’s high inflation levels [during the past couple of years], and you have a situation where many production companies are struggling to stay afloat.”
  • Over the course of the past year, EMC CEO Tamer Morsy also gradually gained majority ownership of key television networks such as CBC, ONTV, DMC and Al-Hayat, a move facilitated through the recent launch of EMC affiliate United Group for Media Services. Moreover, state-owned entities effectively gained control of both the production and purchasing sides of the business as these unprecedented levels of regulation and government ownership were put in place.
  • in early May United Group for Media Services launched paid streaming app WatchiT and prohibited the longtime convention of shows airing online on YouTube for those who couldn’t catch them on satellite television channels. Widely accessed streaming app EgyBest, among other free online streaming services, were also blocked to allegedly mitigate “piracy”, granting government intelligence-affiliated WatchiT a monopoly over streaming services. Since digital finance and financial inclusion levels are low in the most populous Arab country, the decision came to the dismay of throes of viewers regardless of political affiliations or regulation concerns. For those following television series on satellite channels, short broadcast announcements interrupt episodes to denounce a May 28 Human Rights Watch report on enforced disappearances, killings and torture in North Sinai. Other broadcasts order audiences to pay heed to “threats to terrorism and national security.”
  • “Because these people [Synergy and EMC] are military men, their mentality is to cut off what doesn’t work, with little concern for the consequences. The military don’t understand or love the arts; they see it as just another industry they can profit off by minimizing losses.”
  • “It’s understandable that they [the military] would be more concerned with penetrating television production as opposed to the cinema industry, because viewership numbers are higher for television series in comparison to films. Not everyone can afford a cinema ticket, but most Egyptians, be they rich or poor, have access to a television set. There’s nothing to stop them from gaining as much control of the film industry as they have with television, but I believe they’re not investing in it [as much] because it isn’t as lucrative,”
  • Saudi Arabia is once again opening cinema theaters following a 35-year ban, creating a significant potential box office market for Egyptian films, particularly since plans for the inauguration of 2,000 theatres in the kingdom before 2020 are in the works
  • our country was once the Hollywood of the Middle East,”
  • There was a time when everyone in the Arab world recognized Umm Kalthoum and Ismail Yassin, even more so than [our own president] Nasser. We need to work towards reestablishing that, and understanding how entertainment can be used as a tool for soft power
Ed Webb

Upcoming elections could make or break Tunisia's fledgling free press - Committee to Pr... - 0 views

  • Tunisia has secured greater press freedom than many of the Arab Spring countries, but local journalists told CPJ that with elections slated for this year, challenges including funding, transparency, and government pressure remain
  • Despite a ban on foreign funding, many of the independent journalists who spoke with CPJ said they believe Gulf money is secretly pouring in to campaigns, although they often lack the means to expose it. Businessmen and politicians are also using privately owned media companies and the government is harnessing public broadcasters to further their political agendas.
  • Broadcast regulator HAICA (the Independent High Authority of Audiovisual Communication) pulled the license of privately owned TV channel Nesma in July 2018, for pushing the political agenda of its owner Nabil Karoui, who planned to run for president. Police raided the station in April, but the channel is still on the air, only without a license
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  • Journalists speak privately of money from the United Arab Emirates flowing to establishment politicians and funds from Qatar to Islamists but there is little published evidence of this.
  • Money still talks loudly in Tunisia where unemployment is officially above 15 percent and many journalists are paid badly.
  • Reporters are hampered in their watchdog role by the government too, especially if they cover national security or police beats. In January last year, Interior Minister Lotfi Brahem admitted during a parliamentary hearing that Tunisian journalists were monitored and that he had even authorized the wiretapping of a French journalist covering unrest.
  • Tunisia has a world class right to information law on the books but Mekki said her attempts to get the Interior Ministry to disclose details of travel bans imposed on hundreds of young Tunisians have been stonewalled
  • a lack of transparency around media ownership, undisclosed campaign contributions to candidates and the use of public resources and public media by the current government to promote partisan agendas are challenges to independent media coverage.
  • "In Tunisia we have a unique situation where we have a weak government, weak political parties but strong civil society, which can work to guarantee the democratic transition overall and with that, press freedom gains,"
Ed Webb

U.S. Needs to Look Beyond Russia for Disinformation Culprits | Time - 0 views

  • Russian disinformation may come first to mind for interfering in U.S. politics, but some of the most damning evidence of efforts to influence the American public leads to Washington’s allies in the Middle East. Saudi Arabia and the United Arab Emirates are at the forefront of undermining democratic deliberation–from manipulating the impact of Donald Trump’s tweets, to tricking editors across the world into publishing propaganda.
  • The FBI in 2019 found evidence that employees at Twitter’s San Fransciso headquarters, groomed with bribes such as luxury watches, were co-ordinating with members of the Saudi royal family to obtain private information from Twitter users. In August 2022, a jury found one of these men guilty. Two others couldn’t be tried because they were in Saudi Arabia.
  • Cambridge Analytica’s parent company, SCL Social Limited, worked with the UAE to create a social media advertising campaign attacking Qatar, a Gulf rival that’s home of the largest U.S. military base in the region. Though better known its use of “soft power” through projects like Al Jazeera, Qatar has also been reported to use disinformation, as well as allegedly hacking the email of the Emirates’ powerful ambassador to Washington.
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  • One of the most audacious deception operations appeared to be connected to the UAE. Between 2019 and 2021, op-eds that supported the foreign policy position of the UAE, Saudi, and the U.S. administration under Trump began appearing in numerous well-known U.S. outlets, such as Newsmax, The National Interest, The Post Millennial and the Washington Examiner. The catch: The journalists writing them did not actually exist.
  • the Emiratis worked with ex-NSA spies to hack the devices of U.S. citizens. And both Saudi Arabia and the UAE are among the biggest customers of NSO, the Israeli firm that sells the spyware Pegasus, which they have used to target dozens of activists, journalists and academics
  • In 2011, during the heady days of the Arab Spring, social media and digital technology was touted as the force that would help liberate the region from authoritarian rule and bring democracy. Now, authoritarian regimes in the Gulf, along with Western companies and expertise, are using digital technology and social media to try and hack democracy wherever they find it, including in the U.S. The effect is clearest, however, in the Middle East. With critics silenced through incarceration, surveillance, torture, or death, opposition voices are increasingly fearful of self-expression, meaning that the digital public sphere is simply a space to praise the regime or engage in banal platitudes.
Ed Webb

Is Iran on the Verge of Another Revolution? | Journal of Democracy - 0 views

  • the most severe and sustained political upheaval ever faced by the Islamist regime in Iran. Waves of protests, led mostly by women, broke out immediately, sending some two-million people into the streets of 160 cities and small towns, inspiring extraordinary international support. The Twitter hashtag #MahsaAmini broke the world record of 284 million tweets, and the UN Human Rights Commission voted on November 24 to investigate the regime’s deadly repression, which has claimed five-hundred lives and put thousands of people under arrest and eleven hundred on trial.
  • This is neither a “feminist revolution” per se, nor simply the revolt of generation Z, nor merely a protest against the mandatory hijab. This is a movement to reclaim life, a struggle to liberate free and dignified existence from an internal colonization. As the primary objects of this colonization, women have become the major protagonists of the liberation movement.
  • Since its establishment in 1979, the Islamic Republic has been a battlefield between hard-line Islamists who wished to enforce theocracy in the form of clerical rule (velayat-e faqih), and those who believed in popular will and emphasized the republican tenets of the constitution.
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  • Only popular resistance from below and the reformists’ electoral victories could curb the hard-liners’ drive for total subjugation of the state, society, and culture.
  • The Green revolt and the subsequent nationwide uprisings in 2017 and 2019 against socioeconomic ills and authoritarian rule profoundly challenged the Islamist regime but failed to alter it. The uprisings caused not a revolution but the fear of revolution—a fear that was compounded by the revolutionary uprisings against the allied regimes in Syria, Lebanon, and Iraq, which Iran helped to quell.
  • once they took over the presidency in 2021 and the parliament in 2022 through rigged elections—specifically, through the arbitrary vetoing of credible rival candidates—the hard-liners moved to subjugate a defiant people once again. Extending the “morality police” into the streets and institutions to enforce the “proper hijab” has been only one measure—but it was the one that unleashed a nationwide uprising in which women came to occupy a central place.
  • the culmination of years of steady struggles against a systemic misogyny that the postrevolution regime established
  • With the emergence of the “people,” a super-collective in which differences of class, gender, ethnicity, and religion temporarily disappear in favor of a greater good, the uprising has assumed a revolutionary character. The abolition of the morality police and the mandatory hijab will no longer suffice. For the first time, a nationwide protest movement has called for a regime change and structural socioeconomic transformation.
  • Over the years, headscarves gradually inched back further and further until finally they fell to the shoulders. Officials felt, time and again, paralyzed by this steady spread of bad-hijabi among millions of women who had to endure daily humiliation and punishment. With the initial jail penalty between ten days and two months, showing inches of hair had ignited decades of daily street battles between defiant women and multiple morality enforcers such as Sarallah (wrath of Allah), Amre beh Ma’ruf va Nahye az Monker (command good and forbid wrong), and EdarehAmaken (management of public places). According to a police report during the crackdown on bad-hijabis in 2013, some 3.6 million women were stopped and humiliated in the streets and issued formal citations. Of these, 180,000 were detained.
  • This is the story of women’s “non-movement”—the collective and connective actions of non-collective actors who pursue not a politics of protest but of redress, through direct actions.
  • the uprising is no longer limited to the mandatory hijab and women’s rights. It has grown to include wider concerns and constituencies—young people, students and teachers, middle-class families and workers, residents of some rural and poor communities, and those religious and ethnic minorities (Kurds, Arabs, Azeris, and Baluchis) who, like women, feel like second-class citizens and seem to identify with “Woman, Life, Freedom.”
  • The thousands of tweets describing why people are protesting point time and again to the longing for a humble normal life denied to them by a regime of clerical and military patriarchs. For these dissenters, the regime appears like a colonial entity—with its alien thinking, feeling, and ruling—that has little to do with the lives and worldviews of the majority.
  • The feminism of the movement, rather, is antisystem; it challenges the systemic control of everyday life and the women at its core. It is precisely this antisystemic feminism that promises to liberate not only women but also the oppressed men—the marginalized, the minorities, and those who are demeaned and emasculated by their failure to provide for their families due to economic misfortune.
  • A segment of Muslim women did support the Islamic state, but others fought back. They took to the streets to protest the mandatory hijab, organized collective campaigns, and lobbied “liberal clerics” to secure a women-centered reinterpretation of religious texts. But when the regime extended its repression, women resorted to the “art of presence”—by which I mean the ability to assert collective will in spite of all odds, by circumventing constraints, utilizing what exists, and discovering new spaces within which to make themselves heard, seen, felt, and realized. Simply, women refused to exit public life, not through collective protests but through such ordinary things as pursuing higher education, working outside the home, engaging in the arts, music, and filmmaking, or practicing sports.
  • At this point in time, Iran is far from a “revolutionary situation,” meaning a condition of “dual power” where an organized revolutionary force backed by millions would come to confront a crumbling government and divided security forces. What we are witnessing today, however, is the rise of a revolutionary movement—with its own protest repertoires, language, and identity—that may open Iranian society to a “revolutionary course.”
  • The disproportionate presence of the young—women and men, university and high school students—in the streets of the uprising has led some to interpret it as the revolt of generation-Z against a regime that is woefully out of touch. But this view overlooks the dissidence of older generations, the parents and families that have raised, if not politicized, these children and mostly share their sentiments. A leaked government survey from November 2022 found that 84 percent of Iranians expressed a positive view of the uprising. If the regime allowed peaceful public protests, we would likely see more older people on the streets.
  • Although some workers have joined the protests through demonstrations and labor strikes, a widespread labor showdown has yet to materialize. This may not be easy, because the neoliberal restructuring of the 2000s has fragmented the working class, undermined workers’ job security (including the oil sector), and diminished much of their collective power. In their place, teachers have emerged as a potentially powerful dissenting force with a good degree of organization and protest experience.
  • Shopkeepers and bazaar merchants have also joined the opposition. In fact, they surprised the authorities when at least 70 percent of them, according to a leaked official report, went on strike in Tehran and 21 provinces on 15 November 2022 to mark the 2019 uprising. Not surprisingly, security forces have increasingly been threatening to shut down their businesses.
  • Protesters in the Arab Spring fully utilized existing cultural resources, such as religious rituals and funeral processions, to sustain mass protests. Most critical were the Friday prayers, with their fixed times and places, from which the largest rallies and demonstrations originated. But Friday prayer is not part of the current culture of Iran’s Shia Muslims (unlike the Sunni Baluchies). Most Iranian Muslims rarely even pray at noon, whether on Fridays or any day. In Iran, the Friday prayer sermons are the invented ritual of the Islamist regime and thus the theater of the regime’s power. Consequently, protesters would have to turn to other cultural and religious spaces such as funerals and mourning ceremonies or the Shia rituals of Moharram and Ramadan.
  • During the Green revolt of 2009, the ruling hard-liners banned funerals and prevented families from holding mourning ceremonies for their loved ones
  • the hard-line parliament passed an emergency bill on 9 October 2022 “adjusting” the salaries of civil servants, including 700,000 pensioners who in late 2017 had turned out in force during a wave of protests. Newly employed teachers were to receive more secure contracts, sugarcane workers their unpaid wages, and poor families a 50 percent increase in the basic-needs subsidy.
  • beating, killing, mass detention, torture, execution, drone surveillance, and marking the businesses and homes of dissenters. The regime’s clampdown has reportedly left 525 dead, including 71 minors, 1,100 on trial, and some 30,000 detained. The security forces and Basij militia have lost 68 members in the unrest.
  • The regime’s suppression and the protesters’ pause are likely to diminish the protests. But this does not mean the end of the movement. It means the end of a cycle of protest before a trigger ignites a new one. We have seen these cycles at least since 2017. What is distinct about this time is that it has set Iranian society on a “revolutionary course,” meaning that a large part of society continues to think, imagine, talk, and act in terms of a different future. Here, people’s judgment about public matters is often shaped by a lingering echo of “revolution” and a brewing belief that “they [the regime] will go.” So, any trouble or crisis—for instance, a water shortage— is considered a failure of the regime, and any show of discontent—say, over delayed wages—a revolutionary act. In such a mindset, the status quo is temporary and change only a matter of time.
  • There are, of course, local leaders and ad hoc collectives that communicate ideas and coordinate actions in the neighborhoods, workplaces, and universities. Thanks to their horizontal, networked, and fluid character, their operations are less prone to police repression than a conventional movement organization would be. This kind of decentralized networked activism is also more versatile, allows for multiple voices and ideas, and can use digital media to mobilize larger crowds in less time. But networked movements can also suffer from weaker commitment, unruly decisionmaking, and tenuous structure and sustainability. For instance, who will address a wrongdoing, such as violence, committed in the name of the movement? As a result, movements tend to deploy a hybrid structure by linking the decentralized and fluid activism to a central body. The “Woman, Life, Freedom” movement has yet to take up this consideration.
  • a leadership organization—in the vein of Polish Solidarity, South Africa’s ANC, or Sudan’s Forces of Freedom and Change—is not just about articulating a strategic vision and coordinating actions. It also signals responsibility, representation, popular trust, and tactical unity.
  • if the revolutionary movement is unwilling or unable to pick up the power, others will. This, in fact, is the story of most of the Arab Spring uprisings—Egypt, Iraq, Lebanon, and Yemen, for instance. In these experiences, the protagonists, those who had initiated and carried the uprisings forward, remained mostly marginal to the process of critical decisionmaking while the free-riders, counterrevolutionaries, and custodians of the status quo moved to the center.
  • Things are unlikely to go back to where they were before the uprising. A paradigm shift has occurred in the Iranian subjectivity, expressed most vividly in the recognition of women as transformative actors and the “woman question” as a strategic focus of struggle.
  • Those who expect quick results will likely be dispirited. But the country seems to be on a new course.
Ed Webb

Why Saudi Arabia is all in on sports - The Washington Post - 0 views

  • Saudi Arabia’s history with WWE, like much of its frenetic investment in sports and entertainment over the past few years, is a study in how little diplomacy is needed when you control one of the largest sovereign wealth funds in history. Using their Public Investment Fund, valued at more than $776 billion, the Saudis have effectively bought some of the world’s most loyal fan bases, bent opponents to their will and wildly shifted the economics of international sports.
  • In the sports world, overcoming a reputation as a global pariah — condemned by human rights organizations for alleged war atrocities and its links to the 9/11 hijackers, the imprisonment of activists and the Khashoggi assassination — has been as simple for Saudi Arabia as advancing claims of innocence or autonomy.
  • The Saudi Pro League has become the default destination for aging soccer legends seeking unprecedented paydays, including Cristiano Ronaldo, who reportedly is paid roughly $220 million per year to play for Al Nassr. Lionel Messi turned down a similar bounty in favor of playing in the United States. But he still agreed to promote Saudi Arabia for a reported $25 million under a contract that mandates he is not permitted to make any remarks that “tarnish” the kingdom.
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  • The Saudis have used their financial clout to ground down enemies in ways big and small, from Iranian American wrestlers facing scripted humiliation in WWE shows to American golf executives being forced to swallow previous bitter condemnations of the kingdom. Saudi Arabia’s golf takeover this year, in which the kingdom coerced the PGA Tour into a planned alliance after effectively winning a game of high-stakes chicken over the fate of one of the world’s most popular sports, struck some analysts as the final dam to break in the sports world’s resistance to Saudi involvement.
  • Another key currency in sports (and adjacent Spandex-clad theater) was embedded in that brief anti-Iranian WWE storyline, a forgettable footnote for American viewers. Saudi leaders have attempted to move the country away from religious fundamentalism, or Islamism, to replace it with something more palatable to global commerce: nationalism, partly ginned up by crushing Middle Eastern rivals at a game it came late to.AdvertisementStory continues below advertisementSaudi Arabia, with its geriatric leadership until six years ago, had inadvertently given the United Arab Emirates and Qatar a decades-long head start at investing in sports — but the much larger country has been a bully ever since.
  • Sheikh’s management style has embodied Saudi Arabia’s foray into global sports: free-spending, rancorous and hyper-political. He commandeered the lectern at an international chess tournament in Riyadh to rail against “ministate” Qatar, and he ranted that the Saudi soccer team had put in “less than 5 percent effort” during a World Cup loss to Russia. With his penchant for showmanship, it was perhaps inevitable that one of the PIF’s first massive investments would be bringing WWE to Saudi Arabia — and, with it, hired wrestlers acting out the humiliation of what was then a Saudi enemy nation.AdvertisementStory continues below advertisementAt the Greatest Royal Rumble in Riyadh in April 2018, two Iranian American wrestlers, waving the Iranian flag, confronted four young Saudi wrestlers. The scripted comeuppance was swift: The Saudis pummeled the Iranians, brothers Ariya and Shawn Daivari, threw them out of the ring and sent them limping away as the crowd jeered.
  • Many Westerners ascribe a singular motive to Saudi Arabia, if not the entire Middle East, for its interest in sports: sportswashing. And Saudi Arabia has used sports to market its supposed makeover to the outside world — and to guard its image.
  • Sheikh celebrated by buying a $4.8 million Bugatti before landing on a larger vanity purchase. After a stint as honorary president of an Egyptian soccer club ended with him warring with management, Sheikh poured millions into buying a rival team and moving it to Cairo. Months later, he abandoned Egyptian soccer while lamenting the “headache.”
  • by dissuading potential religious extremism, “The idea is to get the country to look quote-unquote ‘normal.’ ”
  • “one of those key moments of reputation laundering and propaganda that Mohammed bin Salman needed at that time: an American organization with a billionaire as famous as Vince McMahon appearing in Saudi Arabia and things going on as normal.”
  • In the years since Khashoggi’s murder, financial leaders returned to doing business with Saudi Arabia, partly revealed when the kingdom released a list of partners in venture capital, including some of the highest-profile firms in the world. (That includes Amazon, founded by Jeff Bezos, who owns The Washington Post. In 2022, the PIF invested roughly $430 million in Amazon.) In sports, reticent executives became increasingly easy marks for a kingdom practiced at bending opponents to its will.
  • The PIF’s effort to purchase Newcastle United was stalled by Saudi Arabia’s alleged role in one of the world’s largest piracy operations, which for years brazenly stole Qatari content, including that of Premier League games, and beamed it to set-top boxes in Saudi homes.Saudi Arabia denied having a role in the piracy. Investigations by several organizations, from the World Trade Organization to FIFA, found otherwise. The piracy halted just before the PIF was set to complete its purchase of Newcastle.
  • “The majority of fans don’t care.”
  • The Saudis — with a diversified portfolio full of other sports — were willing to blow up golf. Pro golf executives, it turns out, were not.
  • Endeavor, helmed by Ari Emanuel, announced in April a $21 billion deal to merge UFC, its mixed martial arts company, with WWE. Less than five years earlier, Emanuel had returned $400 million to the Saudis so as not to have to partner with them in the wake of Khashoggi’s murder. But Endeavor and its related companies had recently done business with the kingdom again — including Endeavor’s IMG negotiating media rights for the Saudi Pro League. Under TKO, the company created in the merger with Emanuel as CEO, WWE plans to continue its Saudi shows. And UFC recently announced it would hold its first event in Saudi Arabia next year.
Ed Webb

Free Speech in the Muslim World? Ask the Egyptian TV Station That First Aired the Anti-... - 0 views

  • Now the new Arab democracies may be forced to consider how to balance speech rights with popular demands for blasphemy restrictions. Egypt's Muslim Brotherhood has repeated its call for an international convention against giving offense to religion. Tunisian leaders said the crisis underlined the need for a blasphemy law, of the sort that already exists in countries such as Pakistan. We're told of a cultural divide between the West, with its traditional freedoms, and majority-Muslim countries extraordinarily sensitive to insults to Islam.
  • A lesson of Al Nas TV is that maybe this divide is not so great after all. The Egyptian station was broadcasting in a manner that Westerners would recognize -- airing a controversy and discussing its implications -- and its staff has reason to hope for Western-style protection of speech.
  • If Egyptian prosecutors can accuse a filmmaker in the United States of "threatening national unity" or "assaulting Islam," crimes that carry the death penalty, surely they can actually arrest the men in Cairo who propagated the video
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  • it wasn't until the TV broadcast that things really blew up
  • financed by the Saudi government and associated with the conservative Salafist movement
  • In presenting the video, the broadcasters explained that they spread offensive speech because the public needed to be informed of in injustice.
  • Al Nas was using the freedom of speech in the same way it is exercised in other countries, including those in the West. Exposing outrages is a central role of the free media, after all. Informing the public is a vital part of democracy, and will be essential in the Arab world as democracy spreads
  • Some public questioning of Al Nas has begun, and the TV station is on the defensive. "We did not mean... to harm the national unity," insisted Essam Ramy, the editor of the program, in an interview with NPR. He said the program merely "monitors what happens on the Egyptian street," and that if Al Nas really wanted to incite riots, the station would have played even more of the video than it did
  • Film producers who were salivating to smear Muslims must have been thrilled when Al Nas became a distributor for their product. If they're going to have a democracy, Egyptians are stuck with free speech -- and also with the responsibility to use it better than Al Nas did this month
Ed Webb

Beirut's draq queen scene is starting to flourish, inspired by Ru Paul - The Washington... - 0 views

  • Beirut’s drag-queen scene
  • The Middle East is known for its conservatism, but with its febrile nightlife and more liberal mores, Beirut has long been hailed as a relative haven for the region’s LGBTQ community, though not without challenges.
  • Performers usually turn up in their street clothes, transform into a whole new character, then shed their costumes again before slipping back outside. Anissa, though, will be making an entrance tonight. A car to the venue has been organized, and she wants to enjoy the reactions of her fellow passengers. 
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  • Many here who became drag performers grew up watching Bassem Feghali, a comedian who gained popularity in the early 2000s by impersonating female singers. In 2015, Evita Kedavra, a Palestinian Armenian drag queen, took the stage, and one by one, the circle grew. 
  • With dozens having taken the plunge since last year’s Grand Ball, the artists credit one celebrity above all: RuPaul and his wildly successful talent show “RuPaul’s Drag Race.” “That made a huge difference,” said Narcissa, another drag queen, of the Emmy-winning U.S. television series. “Suddenly everyone was watching it, and you just thought, ‘Wow, I could do that, too.’ Those artists taught us a lot.”
  • a scene that blends an homage to American drag culture with something distinctively, and irreverently, Lebanese. Anissa Krana and Narcissa exude Hollywood glamour, all tumbling curls and dresses with jewels. Performers like Kawkab Zuhal set kohl liner on dramatic lashes for acts lip-syncing to Arabic music or telling sharp jokes about Lebanon’s crumbling political system. 
  • The Grand Ball earlier this month was to be at one of the biggest, with some 30 contestants competing in front of an exuberant, tightly packed crowd
  • In October, to almost everyone’s surprise, “RuPaul’s Drag Race” star Sasha Velour strode through one of Beirut’s most famous civil war landmarks, a brutalist-style cinema still riddled with bullets known as the Egg
  • “My drag is what I couldn’t be when I was young,” said one performer, who spoke on the condition of anonymity out of fear for his safety. He said he had started trying on his mother’s heels and makeup in secret, years before coming out as gay. When his parents found out, they barred him from their house and his friends turned on him. He lives with other drag queens now. “They’re like my family,” he said. “We help each other with food, with makeup, money — everything.”
  • Although the Lebanese state is more tolerant of homosexuality than other Arab governments, the penal code can still be invoked to make arrests
  • “We don’t have stable laws here,” said Narcissa. “One minute, the state is looking one way; the next, it’s staring right at us.”
  • Only a small number of venues are recognized as “safe spaces” for the drag and broader LGBTQ community, and owners must have strong ties to local authorities to ensure the police won’t turn up and harass attendees
Ed Webb

Jeffrey Goldberg Doesn't Speak for the Jews - 0 views

  • For some members of the tribe, Sanders’ commitment to social justice, his family’s experience with the Holocaust, his distinctive old-Brooklyn accent, his childhood memories of stickball and Ebbets Field, and even his visits to a kibbutz are all insufficient proofs of Jewishness. Why doesn’t he belong to a synagogue? Why did he marry a Catholic? Why is he so critical of the mainstream consensus on Israel? Why isn’t he a Jew the way Goldberg wants him to be a Jew?
  • Goldberg continues to edit one of the most important magazines in the country, and is a fixture of its star-studded annual Aspen Ideas Festival. As such, he is easily one of the most powerful arbiters of elite opinion, and representative of the establishment that has led the country to the brink of ruin.
  • If you’re a Jew who matters inside the Beltway, there’s a decent chance you hang out with Goldberg.
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  • He gets to decide, for instance, that Peter Beinart (J Street-aligned liberal Zionists) and David Frum (respectable #NeverTrump neoconservatives) should represent the poles of acceptable Jewish discourse. Meanwhile, the emerging generation of American Jews who supported Sanders, and who in many cases feel totally alienated from Zionism, are shut out. Goldberg’s project is to define the center, both for politics in general and for Jews specifically. And as that center buckles and shifts leftward, it’s worth reevaluating the macher who for so long has set the terms of debate.
  • The story of Jeffrey Goldberg is one of hypermasculinity, nationalism, and careerism, a steady ascension facilitated by the right friendships and the right positions at the right times. Along the way he has drawn many harsh critics, none of whom have successfully held him back. But his disproportionate influence on the conversation and his vigorous policing of Jewish communal politics merit a closer look.
  • After enduring antisemitic bullying as a suburban child, he fell in love with Israel on his first visit at age 13.
  • At 20, he dropped out of Penn and made aliyah. As an Israel Defense Force volunteer during the First Intifada, he worked as a guard (or “prisoner counselor,” as he later insisted) at the overcrowded Ketziot prison camp, which was condemned by human rights groups at the time for violating the Geneva Conventions. There, he witnessed a fellow guard beating a Palestinian prisoner for talking back. In Goldberg’s account, he tried to stop his friend but then helped cover the incident up (“‘He fell,’ I lied”).
  • The odd human rights violation, pointless imperial war, or botched hire notwithstanding, no one can deny that he has done well for himself, and it seems likely he’ll be shaping the national conversation for years to come. But in the Jewish world, Goldberg wields perhaps even more influence than outside of it, and by patrolling its borders he defines a narrow center of opinion antithetical to dissent.
  • If there is any justice, Goldberg’s career will be remembered primarily for a long, award-winning reported piece from Iraq that ran in The New Yorker in March 2002, at the height of the post-9/11 jingoistic fervor, which informed that magazine’s readership that Saddam Hussein had both an active WMD program and ties to Al-Qaeda. Goldberg endorsed George W. Bush’s catastrophic war of choice in an article for Slate later that year, in which he wrote, “I believe that the coming invasion of Iraq will be remembered as an act of profound morality.” He was hardly the only high-profile journalist to help launder what turned out to be false intelligence into the mainstream media, but whereas Judith Miller was pushed out by the New York Times in 2005 and has since become persona non grata in liberal elite circles, Goldberg’s status and influence have only grown.
  • palpable distaste for Diaspora Jewry features frequently in Goldberg’s writing
  • a conservative minority of us has accepted a faustian bargain with Trump’s white supremacist base in order to support the right-wing coalition in Israel
  • Goldberg is not part of the ascendant right. Rather, he is perhaps the single most representative figure of the liberal Zionist establishment in all of media, voicing the anxieties of a rapidly collapsing order. And with at least the passive approval of an elite network, Goldberg has spent years passing harsh, biblical judgment on both Jews and gentiles who dare to weigh in on issues related to Israel, from authors to organizations to U.S. presidents.
  • Goldberg started out as a police reporter but achieved greater renown as a national security correspondent, with dispatches from Gaza, Cairo, and Iraqi Kurdistan in the months before and after 9/11. This period is crucial to understanding Goldberg’s influence—he had already become one of the most widely read reporters on the Middle East at precisely the moment when the Washington establishment became single-mindedly focused on terrorist and extremist threats from the region. This gave him an outsized role in shaping liberal elite discourse, with outsized consequences.
  • it fit in perfectly with Goldberg’s longstanding project to deny the very obvious influence of pro-Israel advocates over U.S. politics.
  • Obama successfully pandered to Goldberg, who noted, “speaking in a kind of code Jews readily understand, Obama also made sure to mention that he was fond of the writer Leon Uris, the author of [the 1958 Zionist pulp bestseller] Exodus.”
  • In 2009, Goldberg referred to “the rather circumscribed universe of anti-Zionists-with-Jewish parents”, neatly ostracizing Jews he disagrees with from the tribe
  • For Goldberg and the tribe he leads, a reactionary gentile who unapologetically supports Israel is preferable to a progressive Jew who expresses hesitation, discomfort, or outrage.
  • an epically sleazy hit job
  • Goldberg has spent most of his adult life in affluent Northwest DC, so it would be absurd for him to directly question the legitimacy of American Jews, but he has had no such reservations about European Jews, and especially the largest such community, the Jews of France. In 2015, he wrote a long reported essay in The Atlantic entitled, “Is It Time for the Jews to Leave Europe?”, accompanied by a 20-minute video conversation with Leon Wieseltier and James Bennet, in which he concluded, “I am predisposed to believe that there is no great future for the Jews in Europe, because evidence to support this belief is accumulating so quickly.”
  • Goldberg represents what, at least until recently, was an influential set of attitudes among mainstream Jewish liberals. But his approach seems exhausted, unable to respond to the scale of the disaster Jewish liberals now confront, from the ultra-orthodox, pro-settlement coalition firmly in charge of Israel to White House-approved antisemitism in the U.S.
  • superficially curious and open-minded about big ideas, yet forever bound within a narrow establishment consensus averse to channeling any kind of populist anger
  • to whatever extent my own Jewish identity has been stunted, I blame Jews like Goldberg. Of course I don’t blame him personally or exclusively, but he’s representative of, and has worked hard to reinforce, a set of attitudes that have made institutional Judaism and Jewish communal identity seem unattractive or unattainable. I’m certain I’m not alone in feeling this way. Membership in non-Orthodox synagogues is in steady decline, as is American Jews’ attachment to Israel, especially among millennials. Jewishness as defined by Goldberg is not our community’s future; it isn’t even our present
  • Goldberg embodies the worst contradictions of American Zionism: on the one hand, the phony machismo, the insistence that Israel is the bedrock of a meaningful Jewish identity, and the morally bankrupt defense of Israel’s routine violence against its Arab subjects; and on the other hand, the smug, comfortable, coddled daily existence of the Beltway elite
  • It’s taken me well into my thirties to grasp that there is a Jewishness to be located between the synagogue-attending, aggressively Zionist establishment that Goldberg presents to the most powerful people on Earth as definitive, and the superficial bagels-and-Seinfeld gloss on basic American whiteness that often seems like the only alternative. Jewishness can be righteous, confrontational, progressive, maybe even cool. It doesn’t have to be defined as a religion, a nationality, or a vaguely embarrassing set of quirks; it can be a way of asserting one’s humanity and moral fervor as America, Israel, and the world descend into a crude parody of fascism.
Ed Webb

This Magazine: Libya: Is it me you're looking for? - 0 views

  • a preview of Poplak’s upcoming The Sheikh’s Batmobile: In Pursuit of American Pop Culture in the Muslim World (Penguin, 2009).
  • I thus broached the fact that I was in the country on false pretences with no small amount of trepidation. My reasons for being there sounded silly when I said them out loud, so I wasn’t sure how I’d explain that I’d travelled to Libya to confirm the story of a music video reenactment that had occurred in the Tripoli medina. But told him I did, bracing myself for a blow that never came. It was, in fact, remarkably easy convincing my chiselled praetorian to forgo the usual itinerary for some investigative work. “So, you don’t want to go with the Germans on a walking tour of the ruins?” asked Eder. “No,” I said. “I sort of lied about that on the visa application form.” “You want to find out about this music video?” “Yes. That’s why I’m here.” Eder shook his head. “Man, people come here and ask the weirdest shit. But what you are asking—this is not to fuck little boys or such.” I agreed. Vigorously. “But I warn you,” he said, presaging the fact that working in Libya was the journalistic equivalent of sculpting quicksilver, “the tour group will only allow you so much freedom before you make people suspicious. And people here don’t like to give information. They’re afraid, and maybe they should be.”
  • Eder felt more allegiance to East coast hip hop than he did to Middle-Eastern Arab culture. American popular culture was his popular culture.
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  • The Tripolitan shore is, after all, where America’s centuries-long relationship with the Muslim world properly began. Operation El Dorado Canyon was but another in a long line of American military engagements with the variegated rulers of Libya, a legacy that dates back over 200 years. Within the DNA of those dusty, forgotten battles lies the code of enmity that continues unabated. But this concomitant history also hints at a lengthy cultural involvement— a mutual fascination that was tinged with both revulsion and wonder.
  • The stage darkens. Lights swing back and forth, illuminating the Hanna House. Then all goes quiet. An icon of the 1980s— onetime member of R’n’B supergroup the Commodores, 90 million solo records sold, over a dozen Top 10 singles on the Billboard charts—stalks up to the spotlight, a smile on his face, the velvety Mediterranean breeze fluttering his navy-blue shirt. He then belts out five of his most beloved hits in front of the enraptured guests, culminating in a rousing sing-along, accompanied by 40 angel-costumed children typical to this sort of proceeding, of the “We Are the World” anthem he co-wrote with Michael Jackson. “Hanna will be honoured tonight because of the fact that you’ve attached peace to her name,” Lionel Richie tells the crowd. “I love you Libya! I’ll be back.” Yes, but how did he come to be there in the first place?
  • Did hundreds of young Libyan children really have the “Hello” video downloaded onto their cognitive hard drives the same way a Westerner born of the 1980s did? In no way did I think that GQ or Lionel Richie had willfully fabricated these details. I just wondered if something had become garbled in the translation. I had to find out if that video reenactment had happened. Mr. Corsello put it perfectly: “We … have a strategic, even moral, obligation to know: What is the freakin’ deal with Lionel Richie?”
  • popular culture as a binding force. Hundreds of millions of people in over a 100 countries know Lionel Richie’s music, and adore it. According to the GQ article, anti-Ba’athist residents of Baghdad had blasted “All Night Long” as the Shock ’n’ Awe™ commenced. “The only thing Shiite and Sunni now share, aside from their hatred of each other and their worship of Allah and his prophet, is their abiding love for Lionel Brockman Richie Jr.,” wrote Mr. Corsello.
  • The take-home message was that the man who wrote “Dancing on the Ceiling” was a greater nuncio for peace—or at least common ground—than any number of official envoys, roadmaps or summit meetings. But there was one item in the story that made me choke up, Beaches style. I played it again—just to make sure I hadn’t misheard. Then I made my way through the blustery autumnal day to the newsstand to purchase a copy of Gentlemen’s Quarterly. In print, the story hit me with a wallop I usually associate with passages from great literature (or first-edition comic books). Richie told GQ that when he visited the Tripoli medina, a contingent of Libyan children had massed around him, closed their eyes, made wavy gesticulations with their hands, and moaned “Hello.” This was not a séance, but rather a passable rendition of the “Hello” video clip (a staple on MTV in the station’s early years, and a landmark moment in the history of the music video), in which a gorgeous blind woman, who knows Richie only from his mellifluous voice, somehow sculpts a perfectly representative clay bust of his Jheri-curled visage. “What’s going on here? How do you know?” begged Lionel Richie of the Libyan children. “How do you know?” How did they know? Lionel Richie’s videos are prominent in the cultural memory of a generation of North Americans; a friend once described Richie’s “All Night Long” clip as “a profound piece of eschatological imagination.” Indeed, to a scion of the 1980s, the Richie oeuvre carries an almost oneiric weight. Like “All Night Long,” the “Hello” video was an indelible piece of my childhood, a kiln-fired shard of memory now flung into the quandary of the Muslim world.
  • The Libyans I’d met so far were polite but reticent. “Such questions!” they’d remark, sounding like so many Peter Lorres in Casablanca. “Behind the questions, what do you hope to find, Mr. Richard? There is only darkness.” Indeed, it was impossible to get a peripheral sense of what was going on in Libya: I felt out of my depth, immersed in an ostensibly bright world that was defined by brutality. Securing an interview felt like pinning live butterfly specimens. I kept in mind the recent case of five Bulgarian nurses, sentenced to death on trumped-up charges of injecting the AIDS virus into poor Libyan children. They had been horribly mistreated; it took some filthy dealing on the part of European governments to secure their freedom. And I knew that any locals implicated in my quest could expect much worse.
  • maybe you think we’re backwards here
  • we spent our evenings haunting stores that sold bootleg DVDs of titles that had yet to be released stateside
  • in the vanguard of a new Libyan generation, surfing the demographic wave of a massive Middle Eastern birthrate, pulled west by the accident of his tribal affiliations, plugged in because of an unprecedented technological sea-change in how media were disseminated. And that put him as much at odds with the Libyan mainstream as I was.
  • One thing I was slowly learning in the Muslim world: There is no Muslim world. There is no monolithic, stand-alone Other.
  • Cultural critic Greil Marcus once described early rock and pop as “music that affirmed meaninglessness and in that affirmation contained every conceivable kind of meaning.” This stands as a testament to what popular culture does best: unite us in an indefinable, unrefined moment of merriment, sadness, sentiment, titillation. There are two great equalizers: Death and pop culture. That’s what Lionel Richie meant by his story. And that’s why his story meant so much.
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    Essential reading.
Ed Webb

Arab spring leads surge in events captured on cameraphones | World news | The Guardian - 0 views

  • McNally, of the New York Times, said citizen media was an "instant document" of a news event rather than a replacement for skilled photojournalism. She said: "Most amateur footage does lack the real smart interpretation of what it's like to be there."
    • Ed Webb
       
      A quotation so good they used it twice? Editing matters, people!
Ed Webb

Twitter network of Arab protests - interactive map | World news | guardian.co.uk - 3 views

  •  
    This is amazing. Its astonishing how far our technology has come in the last few years. I remember when Twitter first came out it seemed rather pointless, and I didn't think it would really catch on. Its fascinating to see how significant Twitter has become in terms of social networking and even in the realm of politics/social movements.
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